A person who offers a joke explanation might seem pedantic, or even absurd if he offers to explain himself after his audience has not laughed at his words. Sadly, there are many utterances which are intended to be amusing but are not. The reason for this may lie with the sender or the receiver. If a persons says something which he thinks people will find amusing but does not get the sort of response that he wants it is usually best to carry on as though one did not mean anyone to laugh anyway.
Some people can tell jokes and others not. A very clever and cultivated person may be a dunce at telling jokes whereas an unlettered buffoon may be an expert. The same narrative can be a brilliant success when told by one and a dismal failure when narrated by the other. However, as in most communicative acts, the receiver has a role to play in the process.
Groups often engage in discourse that is rich in allusion. They might share knowledge of things that are not known to the wider world, such as failings or idiosyncrasies. In some cases a group of academics might share knowledge that is peculiar to their field of endeavor and a person who is not privy to their shared knowledge may be totally out of his depth when they all fall about laughing. Sometimes a gracious member of the in group will take the trouble to explain things to an outsider, thus demonstrating impeccable manners.
The luxury of small group allusions are not open to professional comedians who play to large audiences. They must use allusions that are known to the general public. Unfortunately some of them resort to vulgarity or artificial laughter that is produced by a recorder or producer who gestures to tame audiences so that they laugh on cue.
Much that passes for humor in popular culture is merely coarse banality and not at all amusing. No explanations are possible because there is nothing to explain. Fortunately, true wit and humor is collected and preserved in writing. Whilst the works of Shakespeare, Samuel Johnson and Oscar Wilde exist there are resources and they may be added to, equaled and used as points of reference.
There are rhetorical devices that make up the framework of humor. Devices such as hyperbole, double entendre and pun are used to good effect but are nothing without wit and irony. These are the lifeblood of humor that make it more than mere mechanics.
When confronted by the Marquess of Queensberry with a bunch of rotting vegetables that were thrust in his face Oscar Wilde retorted, 'Thank you sir. Whenever I smell these I will think of you.' This demonstrates what wit is. It is quick, sharp and keen as a wild thing.
Society is in the process of organizing itself around the Internet and there is a great deal of information available to all people. Even a joke explanation can be had online when one does not understand. In this way education is transformed and society benefits from higher standards of humor. When humor is explained understanding of the principles behind jokes leads to a nice understanding of humor so that amusement is derived from words even when it may not be intended.
Some people can tell jokes and others not. A very clever and cultivated person may be a dunce at telling jokes whereas an unlettered buffoon may be an expert. The same narrative can be a brilliant success when told by one and a dismal failure when narrated by the other. However, as in most communicative acts, the receiver has a role to play in the process.
Groups often engage in discourse that is rich in allusion. They might share knowledge of things that are not known to the wider world, such as failings or idiosyncrasies. In some cases a group of academics might share knowledge that is peculiar to their field of endeavor and a person who is not privy to their shared knowledge may be totally out of his depth when they all fall about laughing. Sometimes a gracious member of the in group will take the trouble to explain things to an outsider, thus demonstrating impeccable manners.
The luxury of small group allusions are not open to professional comedians who play to large audiences. They must use allusions that are known to the general public. Unfortunately some of them resort to vulgarity or artificial laughter that is produced by a recorder or producer who gestures to tame audiences so that they laugh on cue.
Much that passes for humor in popular culture is merely coarse banality and not at all amusing. No explanations are possible because there is nothing to explain. Fortunately, true wit and humor is collected and preserved in writing. Whilst the works of Shakespeare, Samuel Johnson and Oscar Wilde exist there are resources and they may be added to, equaled and used as points of reference.
There are rhetorical devices that make up the framework of humor. Devices such as hyperbole, double entendre and pun are used to good effect but are nothing without wit and irony. These are the lifeblood of humor that make it more than mere mechanics.
When confronted by the Marquess of Queensberry with a bunch of rotting vegetables that were thrust in his face Oscar Wilde retorted, 'Thank you sir. Whenever I smell these I will think of you.' This demonstrates what wit is. It is quick, sharp and keen as a wild thing.
Society is in the process of organizing itself around the Internet and there is a great deal of information available to all people. Even a joke explanation can be had online when one does not understand. In this way education is transformed and society benefits from higher standards of humor. When humor is explained understanding of the principles behind jokes leads to a nice understanding of humor so that amusement is derived from words even when it may not be intended.
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Unknown - Sunday, October 14, 2012
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